000			06333cam a2200805Mi 4500
006			m o d
007			cr cn|||||||||
008			171212s2013 enka ob 001 0 eng d
020			_a9781118515068 _q(e-book)
020			_a1118515064 _q(e-book)
020			_a1444338374
020			_a9781444338379
020			_a9781118515051
020			_a1118515056
020			_a9781118515105
020			_a1118515102
020			_z9781444338379
020			_a1306140749
020			_a9781306140744
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035			_a(OCoLC)875241228 _z(OCoLC)861559787 _z(OCoLC)863672746 _z(OCoLC)961624962 _z(OCoLC)962571986
035			_a(OCoLC)ocn875241228
037			_a545325 _bMIL
039		9	_a201902121540 _bros _y12-12-2017 _zhafiz _wMYUKM (1).mrc _x589
040			_aUKM
040			_aK6U _beng _erda _epn _cK6U _dOCLCO _dE7B _dCOO _dOCLCO _dEBLCP _dCUS _dYDXCP _dCDX _dDOS _dOCLCF _dOCLCO _dOCLCA _dOCL _dOCLCQ _dOCLCO _dDEBBG _dIDEBK _dAUD
049			_aMAIN
050		4	_aN7391.65 _b.C65 2013eb
082	0	4	_a709.0 _b23
245	0	2	_aA companion to modern African Art / _cedited by Gitti Salami and Monica Blackmun Visona.
250			_aFirst edition.
264		1	_aChichester, West Sussex : _bWiley Blackwell, _c2013.
300			_a1 online resource (650 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aWiley Blackwell companions in art history ; _v6
504			_aIncludes bibliographical references and index.
505	0		_aCover; WILEY BLACKWELL COMPANIONS TO ART HISTORY; Title page; Copyright page; Dedication; List of Figures; Notes on Contributors; Acknowledgments; Note; Part I: Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II:'Africa Has Always Been Modern'; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities.
505	8		_aAfro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi Synthesis The Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III: Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories.
505	8		_aThe Loango Ivories'Authenticity': Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980);'COME ONE! COME ALL! and secure the shadow ere it fades'; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers.
505	8		_aThe Democratization of Photography: The Case of Fumban, Cameroon notes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics;'Modernity' in African Art History; Challenging'Modernity' and'Place' on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations.
505	8		_aInvisibility Difference Last Word: The Lines of a Future Argument; Notes; References; Part IV: Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7'One of the Best Tools for Learning': Rethinking the Role of'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations;'And They Do Not Spare Any Effort in Preserving These Things'; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References.
520			_aOffering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across AfricaIncludes original and previously unpublished fieldwork-based materialFeatures new and complex theoretical arguments about the nature of modernity.
588	0		_aOnline resource; title from PDF title page (ebrary, viewed December 12, 2013).
648		7	_a1800-2099 _2fast
650		0	_aArt, African _y20th century.
650		0	_aArt, African _y19th century.
650		0	_aArt, African _y21st century.
650		7	_aArt, African. _2fast _0(OCoLC)fst00815861
655		4	_aElectronic books.
700	1		_aSalami, Gitti.
700	1		_aVisonà, Monica Blackmun, _d1953-
773	0		_tWiley e-books
776	0	8	_iPrint version: _aSalami, Gitti. _tCompanion to modern African art. _dHoboken, New Jersey : John Wiley & Sons, 2013 _z9781444338379 _w(OCoLC)855200081
830		0	_aBlackwell companions to art history ; _v6.
856	4	0	_uhttps://eresourcesptsl.ukm.remotexs.co/user/login?url=http://onlinelibrary.wiley.com/book/10.1002/9781118515105 _zWiley Online Library
907			_a.b16543300 _b2022-10-06 _c2019-11-12
942			_n0
914			_avtls003629261
998			_ae _b2017-12-12 _cm _dz _feng _genk _y0 _z.b16543300
999			_c689273 _d689273