000 03851nam a2200433 i 4500
005 20250919185850.0
008 160919t2016 nyua 001 0 eng
020 _a9781501316708
_qhardback
_cRM499.78
039 9 _a201706061351
_bnikzal
_c201706061259
_dnikzal
_c201705251501
_drasyilla
_y09-19-2016
_zrasyilla
040 _aDLC
_beng
_cDLC
_erda
043 _an-us---
090 _aPS326.M637
090 _aPS326
_b.M637
100 1 _aMorris, Daniel,
_d1962-
_eauthor.
245 1 0 _aNot born digital :
_bpoetics, print literacy, new media /
_cDaniel Morris.
264 1 _aNew York :
_bBloomsbury Academic,
_c2016.
264 4 _c©2016.
300 _a258 pages ;
_c23 cm.
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
504 _aBibibliography : page [239]-250.
505 8 _aMachine generated contents note: -- 1. This is Just to Say This is the End of Art: Williams and the Aesthetic Attitude -- 2. Medium as Messenger as Medium as Messenger: Hannah Weiner Anchor's the Social Poetics of 1986 in Weeks -- 3. Bibliodeath: What is an Archive in a Digital Era? -- 4. Gaps in the Machine: On Andrei Codrescu's Unarchival Poetics -- 5.'Tech support says'Dead Don Walking': Tradition, the Internet, and the Individual Talent in the Poetry of Daniel Y. Harris -- 6. (In)decisive Moments: On Kenneth Goldsmith's Seven American Deaths and Disasters -- 7. On Soliloquy: Kenneth Goldsmith as Conceptualist at the cusp of a Digital Age -- 8. Bad Company, Meet Sonic Youth: On Noah Eli Gordon's Inbox -- 9.'Cum on Feel the Noize': The Erotics of Literary Activism in an Age of Internet Viruses in An Army of Lovers -- 10. Ai Wei Wei's Dirty ConceptualismBibliography -- Index.
520 _a'Not Born Digital addresses from multiple perspectives - ethical, historical, psychological, conceptual, aesthetic - the vexing problems and sublime potential of disseminating lyrics, the ancient form of transmission and preservation of the human voice, in an environment in which e-poetry and digitalized poetics pose a crisis (understood as opportunity and threat) to traditional page poetry. The premise of Not Born Digital is that the innovative contemporary poets studied in this book engage obscure and discarded, but nonetheless historically resonant materials to unsettle what Charles Bernstein, a leading innovative contemporary U.S. poet and critic of'official verse culture,' refers to as'frame lock' and'tone jam.' While other scholars have begun to analyze poetry that appears in new media contexts, Not Born Digital concerns the ambivalent ways page poets (rather than electronica based poets) have grappled with'screen memory' (that is, electronic and new media sources) through the re-purposing of'found' materials'--
_cProvided by publisher.
520 _a'Breaks new ground by evoking framework models of art theory to approach innovative U.S. poetry, with special emphasis on 21st-century examples of conceptual authors whose'found' material first appeared in new media contexts'--
_cProvided by publisher.
650 0 _aAmerican poetry
_y21st century
_xHistory and criticism
_xTheory, etc.
650 0 _aExperimental poetry, American
_xHistory and criticism.
650 0 _aPoetics
_xHistory
_y21st century.
650 0 _aAvant-garde (Aesthetics)
_zUnited States
_xHistory
_y21st century.
650 0 _aArt and literature
_zUnited States.
907 _a.b16368770
_b2019-11-12
_c2019-11-12
942 _c01
_n0
_kPS326.M637
914 _avtls003610901
990 _anz
991 _aFakulti Sains Sosial dan Kemanusiaan
998 _at
_b2016-06-09
_cm
_da
_feng
_gnyu
_y0
_z.b16368770
999 _c685865
_d685865