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008 210419s2021 ja a b 000 0 eng d
020 _a9784866581781
_q(hardback
_chadiah
040 _aVVC
_beng
_cVVC
_erda
_dOCLCO
_dVVC
_dABJ
_dDLC
_dUKM
_erda
041 1 _aeng
_hjpn
043 _aa-ja---
090 _aPN2924.5.N6
_bY33713
100 1 _aYasuda, Noboru,
_d1956-
_eauthor.
240 1 0 _aNoÌ{uE7EC}English.
_lEnglish.
245 1 0 _aNoh as living art :
_binside Japan's oldest theatrical tradition /
_cby Yasuda Noboru ; translated by Kawamoto Nozomu.
250 _aFirst English edition.
264 1 _aTokyo :
_bJapan Publishing Industry Foundation for Culture,
_c2021.
300 _axiii, 103 pages :
_billustrations ;
_c22 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 0 _aJapan Library.
504 _aIncludes bibliographical references.
520 _a'Noh is recognized as one of the oldest and greatest theatrical traditions in the world. Embraced by the samurai elite some 650 years ago, it ultimately permeated every level of Japanese society through the vehicle of utai (noh singing) and inspired generations of writers and scholars in Japan and around the world. What accounts for noh's enduring vitality? What does this austerely beautiful, understated art form have to offer a digitalized society awash in instant entertainment? Noh actor Yasuda Noboru answers these and other questions in this uniquely personal and accessible introduction to noh as living art.' --
_cFrom publisher's description.
505 0 _aKeys to Noh's enduring relevance -- Mythical origins to feudal transformation -- Edo period to the present -- Form and function -- The genius of Zeami -- Noh and the tapestry of Japanese literature -- Engaging the imagination -- Why study Noh? -- Appendix.
650 0 _aNoÌ{uE033}
650 0 _aPerforming arts
_zJapan.
700 1 _aKawamoto, Nozomu.
_etranslator.
907 _a.b16946431
_b2022-10-19
_c2022-09-09
942 _c01
_n0
_kPN2924.5.N6 Y33713
949 _o101013640
990 _arahah/jm
991 _aFakulti Sains Sosial dan Kemanusiaan
998 _at
_b2022-09-09
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_da
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_z.b16946431
999 _c661563
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