| 000 | 04811nam a22003858i 4500 | ||
|---|---|---|---|
| 001 | CR9780857284556 | ||
| 005 | 20250919142045.0 | ||
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| 007 | cr|||||||||||| | ||
| 008 | 120720s2012||||enk o ||1 0|eng|d | ||
| 020 | _a9780857284556 (ebook) | ||
| 020 | _z9780857284495 (hardback) | ||
| 040 |
_aUkCbUP _beng _erda _cUkCbUP |
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| 050 | 0 | 0 |
_aPN1995.9.H6 _bK39 2012 |
| 082 | 0 | 0 |
_a791.43/6164 _223 |
| 100 | 1 |
_aKawin, Bruce F., _d1945- _eauthor. |
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| 245 | 1 | 0 |
_aHorror and the horror film / _cBruce F. Kawin. |
| 246 | 3 | _aHorror & the Horror Film | |
| 264 | 1 |
_aLondon : _bAnthem Press, _c2012. |
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| 300 |
_a1 online resource (xv, 252 pages) : _bdigital, PDF file(s). |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). | ||
| 505 | 0 | _apt. I. Approaching the genre -- 1. Horror -- Overview -- Origins -- Defining horror -- Taking it all in -- Spectacle and suggestion -- Nightmares and forbidden texts -- Real and imagined horror -- Endings -- Recurring elements -- Beauty -- Reflexivity -- Appeal -- Frames and windows -- 2. The monster at the bedroom window -- Tarantula -- The Cabinet of Dr. Caligari -- Nosferatu -- Frankenstein -- King Kong -- The Mummy's Tomb and others -- Back to the Tarantula -- 3. Fear in a frame -- Dreams and reflexivity in Vampyr -- Narrative structure in Dead of Night -- The unfilmable in Peeping Tom -- The Mummy's Tale -- Categories -- pt. II. Subgenres : the book of monsters -- 4. Monsters -- Transforming monsters : Dr. Jeckyll and Mr. Hyde and The Thing -- Constructed monsters : Frankenstein -- Composite monsters : Island of Lost Souls and The Fly -- Giants : King Kong and Them! -- Little people : THe Devil-Doll -- Animals : Murders in the Rue Morgue, The Birds and Jurassic Park -- Body parts : The Beast with Five Fingers -- Monsters from outer space : The Thing from Another World and Alien -- Monsters from the lab :'You Made Us Things!' -- Monsters from underwater : It Came from Beneath the Sea -- Plants : Invasion of the Body Snatchers -- Minerals : The Monolith Monsters -- Amorphous monsters : The Blob -- Child monsters : It's Alive, The Brood and The Funhouse -- Parasite : Shivers -- Machines : The Car -- Monsters from underground : The Descent. | |
| 505 | 0 | _a5. Supernatural monsters -- Demons and the devil : Faust and The Evil Dead -- Doubles : The Student of Prague -- Vampires : Nosferatu and Dracula -- Witches : Häxan and Suspiria -- Ghosts : The Uninvited and Ringu -- Zombies : White Zombie and Night of the Living Dead -- Mummies : The Mummy's Ghost -- Others back from the dead : The Walking Dead -- Werewolves and other shape-shifters : The Wolf Man and Cat People -- Legendary figures : Candyman -- Nameless forces : Final Destination -- Immortal slashers : Michael, Jason and Freddy -- 6. Humans -- Mad scientists and doctors : Caligari and Mad Love -- Romantics : The Phantom of the Opera -- Human anomalies : Freaks -- Artists : Mystery of the Wax Museum and In the Mouth of Madness -- Believers : The Black Cat, Blood Feast and The Wicker Man -- Sadists and torturers : The Raven, Salò and Hostel -- Ghouls : The Body Snatcher and Ed Gein -- Mad killers : Psycho and Henry : Portrait of a Serial Killer -- Families : The Last House on the Left and The Texas Chain Saw Massacre -- Psychics and Telekinetics : Carrie and Scanners -- The infected : Rabid and 28 Days Later -- Cannibals : Eaten Alive! and Cannibal Holocaust -- Slashers : Scream -- pt. III. Related genres -- 7. Horror comedy -- Monster comedies : Young Frankenstein -- Supernatural comedies : The Return of the Living Dead -- Human comedies : Arsenic and Old Lace -- 8. Horror documentary -- Death on camera -- Autopsy : The Act of Seeing With One's Own Eyes -- Looking at horror. | |
| 520 | _aHorror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. {u0091}Horror and the Horror Film{u0092} conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres {u0096} such as the vampire movie {u0096} from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human. | ||
| 650 | 0 |
_aHorror films _xHistory and criticism. |
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| 776 | 0 | 8 |
_iPrint version: _z9780857284495 |
| 856 | 4 | 0 | _uhttp://www.cambridge.org/core/product/identifier/9780857284556/type/BOOK |
| 907 |
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