000			02116nam a22003858i 4500
001			CR9781108672832
005			20250919141953.0
006			m|||||o||d||||||||
007			cr||||||||||||
008			180226s2019||||enk o ||1 0|eng|d
020			_a9781108672832 (ebook)
020			_z9781108474511 (hardback)
020			_z9781108464864 (paperback)
040			_aUkCbUP _beng _erda _cUkCbUP
050	0	0	_aPN56.C735 _bC36 2019
082	0	4	_a801 _223
245	0	4	_aThe Cambridge companion to the literature of the Crusades / _cedited by Anthony Bale.
264		1	_aCambridge : _bCambridge University Press, _c2019.
300			_a1 online resource (xvii, 281 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aCambridge companions to topics
500			_aTitle from publisher's bibliographic system (viewed on 04 Jan 2019).
520			_aHow were the crusades, and the crusaders, narrated, described, and romanticised by the various communities that experienced or remembered them? This Companion provides a critical overview of the diverse and multilingual literary output connected with crusading over the last millennium, from the first writings which sought to understand and report on what was happening, to contemporary Medievalism in which crusading is a potent image of holy war and jihad. The chapters show the enduring legacy of the crusaders' imagery, from the chansons de geste to Walter Scott, from Charlemagne to Orlando Bloom. Whilst the Crusaders' hold on Jerusalem was relatively short-lived, the desire for Jerusalem has had a long afterlife in many cultural contexts and media.
650		0	_aCrusades in literature.
700	1		_aBale, Anthony Paul, _d1975- _eeditor.
776	0	8	_iPrint version: _z9781108474511
830		0	_aCambridge companions to topics.
856	4	0	_uhttps://doi.org/10.1017/9781108672832
907			_a.b16834616 _b2020-12-22 _c2020-09-28
942			_n0
998			_a1 _b2020-12-22 _cm _da _feng _genk _y0 _z.b16834616
999			_c650826 _d650826