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020 _z1118823982
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020 _a9781118824009
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020 _a1118824008
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020 _z9781118824030
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020 _z1118824032
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020 _z9781118824016
020 _z1118824016
035 _a(OCoLC)984342595
_z(OCoLC)985249932
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_z(OCoLC)986638116
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_z(OCoLC)986889302
_z(OCoLC)993082746
_z(OCoLC)993471963
035 _a(OCoLC)ocn984342595
039 9 _y09-18-2019
_zhafiz
_wUKM UBCM Wiley MARC (363 titles).mrc
_x88
040 _aDLC
_beng
_erda
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042 _apcc
043 _ae-uk-en
049 _aMAIN
050 1 4 _aPR651
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072 7 _aBIO
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082 0 0 _a822/.309
_223
245 0 2 _aA new companion to Renaissance drama /
_cedited by Arthur F. Kinney and Thomas Warren Hopper.
264 1 _aHoboken, NJ :
_bWiley Blackwell,
_c2017.
264 4 _c©2017
300 _a1 online resource (xvii, 638 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aBlackwell Companions to Literature and Culture ;
_v98
500 _aMachine generated contents note: List of Illustrations x Notes on Contributors xi Acknowledgments xviii Introduction 1 Arthur F. Kinney and Thomas Warren Hopper Part I Context 9 1 The Politics of Renaissance England 11 Norman Jones 2 Continental Influences 21 Lawrence F. Rhu 3 Medieval and Reformation Roots 35 Raphael Falco 4 Popular Culture and the Early Modern Stage 51 Sophie Chiari and Francois Laroque 5 Multiculturalism and Early Modern Drama 65 Scott Oldenburg 6 London and Westminster 75 Ian W. Archer 7 Travel and Trade 88 William H. Sherman 8 The Theater and the Early Modern Culture of Debt 98 Amanda Bailey 9 Vagrancy 112 William C. Carroll 10 Domestic Life 125 Martin Ingram 11 Religious Persuasions, c.1580-c.1620 143 Lori Anne Ferrell 12 Science, Natural Philosophy, and New Philosophy in Early Modern England 154 Barbara H. Traister 13 Magic and Witchcraft 170 Deborah Willis 14 Antitheatricality: The Theater as Scourge 182 Leah S. Marcus Part II Theater History 193 15 Performance: Audiences, Actors, Stage Business 195 S. P. Cerasano 16 Playhouses 211 David Kathman 17 Theatrical License and Censorship 225 Richard Dutton 18 Playing Companies and Repertory 239 Roslyn L. Knutson 19 Rehearsal and Acting Practice 250 Don Weingust 20 Boy Companies and Private Theaters 268 Michael Shapiro 21 Women's Involvement in Theatrical Production 282 Natasha Korda 22'To travayle amongst our frendes': Touring 296 Peter H. Greenfield 23 Progresses and Court Entertainments 309 R. Malcolm Smuts 24'What revels are in hand?' Performances in the Great Households 322 Suzanne Westfall 25 Civic Drama 337 Lawrence Manley Part III Genres 355 26 Masque 357 David Lindley 27 The History Play: Shakespeare and Beyond 371 Brian Walsh 28 Domestic Tragedy: Private Life on the Public Stage 388 Lena Cowen Orlin 29 Revenge Tragedy 403 Marissa Greenberg 30 Romance and Tragicomedy 417 Jane Hwang Degenhardt and Cyrus Mulready Part IV Critical Approaches 441 31 Sexuality and Queerness on the Early Modern Stage 443 Valerie Billing 32 Gendering the Stage 456 Alison Findlay 33 Race and Early Modern Drama 474 Mary Floyd?-Wilson 34 Staging Disability in Renaissance Drama 487 David Houston Wood 35 Space and Place 501 Adam Zucker 36 The Matter of Wit and the Early Modern Stage 513 Ian Munro 37 Materialisms 529 Elizabeth Williamson Part V Playwrights, Publishers, and Textual Studies 543 38 The Transmission of an English Renaissance Play?]Text 545 Grace Ioppolo 39 Publishers of Drama 560 Tara L. Lyons 40 Sidney, Cary, Cavendish: Playwrights of the Printed Page and a Future Stage 576 Lara Dodds and Margaret Ferguson 41 Nonprofessional Playwrights 598 Matteo Pangallo Index 612.
504 _aIncludes bibliographical references and index.
505 0 _aTitle Page ; Copyright Page; Contents; List of Illustrations; Notes on Contributors; Acknowledgments; Introduction; Part I Context ; Chapter 1 The Politics of Renaissance England ; References and Further Reading; Chapter 2 Continental Influences ; Notes; References; Chapter 3 Medieval and Reformation Roots; Liturgical Seeds; After Morality; Prejudice and Public Theater; References and Further Reading; Chapter 4 Popular Culture and the Early Modern Stage ; Print Culture: The Advent of Literacy; Popular Taste, Commercial Habits; A Theater for All: Mass Sociability; Rowdy Playgoers
505 8 _aPlaywriting: Hits and FlopsReferences; Chapter 5 Multiculturalism and Early Modern Drama ; Notes; References and Further Reading; Chapter 6 London and Westminster ; Tensions and Conflict; Rhetoric, Representation, and Reality; Notes; References and Further Reading; Chapter 7 Travel and Trade ; Note; References and Further Reading; Chapter 8 The Theater and the Early Modern Culture of Debt ; Early Modern Drama and Money; Macroeconomics: The Early Modern English Credit Economy; Microeconomics: The Early Modern English Culture of Trust; An Early Modern Culture of Debt; Early Modern Drama of Debt
505 8 _aConclusionNotes; References and Further Reading; Chapter 9 Vagrancy ; Historical Contexts; Representation; Theater; Future Developments; Notes; References; Chapter 10 Domestic Life ; The Significance of'Family' in Early Modern England; Household and Community; Houses: Space, Fabric, and Furnishings; Marriage Ages, Spousals, and Weddings; Making Marriage: Lordship, Family, and Individual; Separation and Divorce; Marital Relations; Adultery, Cuckoldry and'Riding Skimmington'; Parents and Children; Historiography and Sources; References; Chapter 11 Religious Persuasions, c.1580-c.1620
505 8 _aFaith by StatuteReligious Temperaments; Religious Reading; Conclusion; References and Further Reading; Chapter 12 Science, Natural Philosophy, and New Philosophy in Early Modern England ; Astronomy and Astrology; Alchemy and Chemistry; Medicine and Anatomy; Mathematics; References; Chapter 13 Magic and Witchcraft ; Defining Witchcraft in Context; Witchcraft Onstage; Future Directions for Study; Notes; References and Further Reading; Chapter 14 Antitheatricality: The Theater as Scourge ; Notes; References; Part II Theater History ; Chapter 15 Performance: Audiences, Actors, Stage Business
505 8 _aEnvisioning Early Performances and AudiencesActors and Oral/Aural Culture; Acting Styles, Training, Rehearsal; Celebrated Actors; Clowns and Clowning; Impersonating Women; References and Further Reading; Chapter 16 Playhouses ; Introduction; 1567; 1575-1578; 1587, 1594; 1598-1600; 1607, 1614; 1617, 1623, 1630; References; Chapter 17 Theatrical License and Censorship ; Origins; Competing Authorities; Protector and Regulator; The End of Elizabeth's Reign; James I; Caroline Anxieties; Closing the Theaters; Notes; References and Further Reading; Chapter 18 Playing Companies and Repertory ; Notes
520 _a'This book provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry'--
_cProvided by publisher.
588 _aDescription based on online resource; title from digital title page (viewed on July 25, 2017).
648 7 _a1500-1699
_2fast
650 0 _aEnglish drama
_yEarly modern and Elizabethan, 1500-1600
_xHistory and criticism.
650 0 _aEnglish drama
_y17th century
_xHistory and criticism.
650 0 _aRenaissance
_zEngland.
650 7 _aLITERARY CRITICISM / Drama.
_2bisacsh
650 7 _aEnglish drama.
_2fast
_0(OCoLC)fst00910737
650 7 _aEnglish drama
_xEarly modern and Elizabethan.
_2fast
_0(OCoLC)fst01710950
650 7 _aRenaissance.
_2fast
_0(OCoLC)fst01094518
651 7 _aEngland.
_2fast
_0(OCoLC)fst01219920
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 4 _aElectronic books.
700 1 _aKinney, Arthur F.,
_d1933-
_eeditor,
_econtributor.
700 1 _aHopper, Thomas Warren,
_eeditor,
_econtributor.
776 0 8 _iPrint version:
_tNew companion to Renaissance drama
_bFirst edition.
_dHoboken, NJ : Wiley-Blackwell, 2017
_z9781118824030
_w(DLC) 2017016256
830 0 _aBlackwell companions to literature and culture ;
_v98.
856 4 0 _uhttps://eresourcesptsl.ukm.remotexs.co/user/login?url=https://doi.org/10.1002/9781118824016
_zWiley Online Library
907 _a.b16755819
_b2022-11-22
_c2019-11-12
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