000			03158cam a2200421 i 4500
005			20250919011957.0
008			160608s2015 gw a b 001 0 eng
020			_a9783110378955 _qhardback _cRM486.47
039		9	_a201612270854 _basrul _c201612221509 _drasyilla _y06-08-2016 _zrasyilla
040			_aDLC _beng _cDLC _erda _dUKM _erda
090			_aPS221.H677
090			_aPS221 _b.H677
100	1		_aHorn, Mirjam, _eauthor.
245	1	0	_aPostmodern plagiarisms : _bcultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) / _cMirjam Horn.
264		1	_aBerlin ; _aBoston : _bDe Gruyter Mouton, _c2015.
264		4	_c©2015.
300			_avi, 286 pages : _bcolor illustrations ; _c24 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
490	0		_aBuchreiha der ANGELIA/ANGLIA Book Series ; _vvolume 49
504			_aIncludes bibliographical references (pages 248-282) and index.
505	0		_aIntroducing plagiarism beyond illegitimate plunder -- Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragod i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts.
650		0	_aAmerican literature _y20th century _xHistory and criticism.
650		0	_aAmerican literature _y21st century _xHistory and criticism.
650		0	_aPlagiarism _zUnited States _xHistory _y20th century.
650		0	_aPlagiarism _zUnited States _xHistory _y21st century.
650		0	_aImitation in literature.
830		0	_aBuchreiha der ANGELIA/ANGLIA Book Series ; _vvolume 49.
907			_a.b16337657 _b2019-11-12 _c2019-11-12
942			_c01 _n0 _kPS221.H677
914			_avtls003607581
990			_aasr
991			_aFakulti Sains Sosial dan Kemanusiaan
998			_at _b2016-08-06 _cm _da _feng _ggw _y0 _z.b16337657
999			_c611136 _d611136