| 000 | 03173nam a2200457 i 4500 | ||
|---|---|---|---|
| 005 | 20250919011957.0 | ||
| 008 | 160608t20162016gw m b a001 0 eng | ||
| 020 |
_a9783110445237 _qhardback _cRM340.45 |
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| 020 |
_a3110445239 _qhardback : acid-free paper |
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| 020 |
_a9783110446012 _qpaperback : acid-free paper |
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| 020 |
_a3110446014 _qpaperback : acid-free paper |
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| 039 | 9 |
_a201612301044 _bhayat _c201612211233 _dasrul _c201612201522 _dbaiti _c201612070832 _drasyilla _y06-08-2016 _zrasyilla |
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| 040 |
_aDLC _beng _erda _cDLC _dYDXCP _dBTCTA _dOHX _dERASA _dOCLCO _dNOC _dOSU _dUtOrBLW _dUKM _erda |
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| 090 | _aPN6714.H478 | ||
| 090 |
_aPN6714 _b.H478 |
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| 100 | 1 |
_aHescher, Achim, _d1964-, _eauthor. |
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| 245 | 1 | 0 |
_aReading graphic novels : _bgenre and narration / _cAchim Hescher. |
| 264 | 1 |
_aBerlin: _bDe Gruyter, _c[2016]. |
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| 264 | 4 | _c©2016. | |
| 300 |
_a219 pages : _billustrations ; _c24 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 |
_aNarratologia ; _v50 |
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| 504 | _aIncludes bibliographical references (pages 201-217)and index. | ||
| 520 | 8 | _aDistinguishing the graphic novel from other types of comic books has presented problems due to the fuzziness of category boundaries. Against the backdrop of prototype theory, the author establishes the graphic novel as a genre whose core feature is complexity, which again is defined by seven gradable subcategories: 1) multilayered plot and narration, 2) multireferential use of color, 3) complex text-image relation, 4) meaning-enhancing panel design and layout, 5) structural performativity, 6) references to texts/media, and 7) self-referential and metafictional devices. Regarding the subcategory of narration, the existence of a narrator as known from classical narratology can no longer be assumed. In addition, conventional focalization cannot account for two crucial parameters of the comics image: what is shown (point of view, including mise en sc{u196E}e) and what is seen (character perception). On the basis of Fran's Josts concepts of ocularization and focalization, this book presents an analytical framework for graphic novels beyond conventional narratology and finally discusses aspects of subjectivity, a focal paradigm in the latest research. It is intended for advanced students of literature, scholars, and comics experts.0. | |
| 650 | 0 |
_aGraphic novels _xHistory and criticism. |
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| 650 | 0 |
_aGraphic novels _xAuthorship. |
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| 650 | 0 | _aNarration (Rhetoric). | |
| 650 | 0 | _aLiterary form. | |
| 776 | 0 | 8 |
_iOnline version: _aHescher, Achim, 1964- author. _tReading graphic novels _dBerlin ; Boston : De Gruyter, [2016] _z9783110445947 _w(DLC) 2016014765. |
| 830 | 0 |
_aNarratologia ; _v50 |
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| 907 |
_a.b16337591 _b2019-11-12 _c2019-11-12 |
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| 942 |
_c01 _n0 _kPN6714.H478 |
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| 914 | _avtls003607572 | ||
| 990 | _abety | ||
| 991 | _aFakulti Sains Sosial dan Kemanusiaan | ||
| 998 |
_at _b2016-08-06 _cm _da _feng _ggw _y0 _z.b16337591 |
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| 999 |
_c611130 _d611130 |
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