000			03280cam a2200493 i 4500
005			20250919011945.0
008			160531s2015 nyu 000 0 eng
020			_a9781138781115 (hardback)
020			_z9781315770246 (ebook)
039		9	_a201608091506 _bfirdausmt _c201608051606 _dros _y05-31-2016 _zasmida
040			_aDLC _beng _cDLC _erda _dDLC _dUKM _erda
042			_apcc
043			_an-cn---
050	0	0	_aAM21.A2 _bO63 2015
082	0	0	_a069.0971 _223
090			_aAM21.A2O63 2015 8
090			_aAM21.A2 _bO63 2015 8
100	1		_aOnciul, Bryony.
245	1	0	_aMuseums, heritage and indigenous voice : _bdecolonising engagement / _cBryony Onciul.
264		1	_aNew York ; _aLondon : _bRoutledge, _c2015.
300			_axiv, 267 pages ; _c24 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
490	0		_aRoutledge research in museum studies ; _v10
520			_a'Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization'-- _cProvided by publisher.
650		0	_aMuseums _xSocial aspects _zCanada.
650		0	_aMuseums and Indians _zCanada.
650		0	_aMuseums _xPolitical aspects _zCanada.
650		0	_aEthnological museums and collections _zCanada.
650		0	_aCultural property _zCanada.
650		0	_aMuseum exhibits _zCanada.
650		7	_aART / Collections, Catalogs, Exhibitions / General. _2bisacsh
650		7	_aART / Museum Studies. _2bisacsh
650		7	_aART / Native American. _2bisacsh
651		0	_aCanada _xCultural policy.
907			_a.b1633503x _b2019-11-12 _c2019-11-12
942			_c01 _n0 _kAM21.A2O63 2015 8
914			_avtls003607272
991			_aPATMA
998			_aa _b2016-05-05 _cm _da _feng _gnyu _y0 _z.b1633503x
999			_c610886 _d610886