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008 160120s2013 xxu| s |||| 0|eng d
020 _a9781137373861
_9978-1-137-37386-1
024 7 _a10.1057/9781137373861
_2doi
035 _a(DE-He213)978-1-137-37386-1
039 9 _a201606091123
_bidah
_y01-20-2016
_zhafiz
_wSpringer_MARC_20160120_024808-hafizupload20012016.mrc
_x125
050 4 _aQ1-390
072 7 _aYQS
_2bicssc
072 7 _aSCI000000
_2bisacsh
082 0 4 _a500
_223
100 1 _aNelson, John S.
_eauthor.
245 1 0 _aPopular Cinema as Political Theory
_h[electronic resource] :
_bIdealism and Realism in Epics, Noirs, and Satires /
_cby John S. Nelson.
264 1 _aNew York :
_bPalgrave Macmillan US :
_bImprint: Palgrave Macmillan,
_c2013.
300 _a264 p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
520 _aThe book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.
650 0 _aScience.
650 1 4 _aScience.
650 2 4 _aScience, general.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9781349477081
856 4 0 _uhttps://eresourcesptsl.ukm.remotexs.co/login?url=http://dx.doi.org/10.1057/9781137373861
907 _a.b16258927
_b2022-09-20
_c2019-11-12
942 _n0
914 _avtls003598895
998 _ae
_b2016-07-01
_cm
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_gxxu
_y0
_z.b16258927
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