000			03393nam a2200385 a 4500
005			20250919001728.0
008			141121s2013 enka b 001 0 eng d
020			_a9780199565320 (hbk.) _cRM286.07
020			_a0199565325 (hbk.)
039		9	_a201412101501 _bbaiti _y11-21-2014 _zrahah
040			_aUKMGB _beng _cUKMGB _dOCLCO _dYDXCP _dEYM _dWAU _dNGU _dUOH _dMUU _dDLC _dUKM
090			_aPN56.D29J665
090			_aPN56.D29 _bJ665
100	1		_aJones, Susan, _d1952- _eauthor.
245	1	0	_aLiterature, modernism, and dance / _cSusan Jones.
246	1	8	_aLiterature, modernism & dance
264		1	_aOxford : _bOxford University Press, _c2013.
300			_ax, 346 pages : _billustrations ; _c24 cm
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references (pages 310-333) and index.
520			_aThis book explores the complex relationship between literature and dance in the era of modernism. During this period an unprecedented dialogue between the two art forms took place, based on a common aesthetics initiated by contemporary discussions of the body and gender, language, formal experimentation, primitivism, anthropology, and modern technologies such as photography, film, and mechanisation. The book traces the origins of this relationship to the philosophical antecedents of modernism in the nineteenth century and examines experimentation in both art forms. The book investigates dance's impact on the modernists' critique of language and shows the importance to writers of choreographic innovations by dancers of the fin de siecle, of the Ballets Russes, and of European and American experimentalists in non-balletic forms of modern dance. A reciprocal relationship occurs with choreographic use of literary text. Dance and literature meet at this time at the site of formal experiments in narrative, drama, and poetics, and their relationship contributes to common aesthetic modes such as symbolism, primitivism, expressionism, and constructivism. Focussing on the first half of the twentieth century, the book locates these transactions in a transatlantic field, giving weight to both European and American contexts and illustrating the importance of dance as a conduit of modernist preoccupations in Europe and the US through patterns of influence and exchange. Chapters explore the close interrelationships of writers and choreographers of this period including Mallarme, Nietzsche, Yeats, Conrad, Woolf, Lawrence, Pound, Eliot, and Beckett, Fuller, Duncan, Fokine, Nijinsky, Massine, Nijinska, Balanchine, Tudor, Laban, Wigman, Graham, and Humphrey, and recover radical experiments by neglected writers and choreographers from David Garnett and Esther Forbes to Andree Howard and Oskar Schlemmer. -- Cover.
650		0	_aLiterature and dance.
650		0	_aModernism (Literature)
907			_a.b16034557 _b2019-11-12 _c2019-11-12
942			_c01 _n0 _kPN56.D29J665
914			_avtls003574283
990			_abety
991			_aFakulti Sains Sosial dan Kemanusiaan
998			_at _b2014-08-11 _cm _da _feng _genk _y0 _z.b16034557
999			_c582675 _d582675