| 000 | 02933nam a2200409 i 4500 | ||
|---|---|---|---|
| 005 | 20250918234719.0 | ||
| 008 | 140528s2014 enka b a001 0 eng d | ||
| 020 |
_a9780745680781 (hbk.) _cRM228.74 |
||
| 020 | _a074568078X (hbk.) | ||
| 020 | _a9780745680798 (pbk.) | ||
| 020 | _a0745680798 (pbk.) | ||
| 039 | 9 |
_a201409250851 _bjamil _c201409041512 _dzaina _c201409020926 _dzabidah _y05-28-2014 _zzabidah |
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| 040 |
_aUKMGB _beng _erda _cUKMGB _dBTCTA _dOCLCO _dYDXCP _dYOU _dIQU _dOBE _dUtOrBLW _dUKM |
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| 043 | _an-mx--- | ||
| 090 | _aPN1993.5.M4S645 | ||
| 090 |
_aPN1993.5.M4 _bS645 |
||
| 100 | 1 |
_aSmith, Paul Julian, _eauthor. |
|
| 245 | 1 | 0 |
_aMexican screen fiction : _bbetween cinema and television / _cPaul Julian Smith. |
| 246 | 1 | 8 |
_iCover title : _aMexican screen fiction. |
| 260 |
_aCambridge, UK : _bPolity, _c2014. |
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| 300 |
_aix, 281 pages : _billustrations ; _c23 cm. |
||
| 336 |
_atext _2rdacontent. |
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| 337 |
_aunmediated _2rdamedia. |
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| 338 |
_avolume _2rdacarrier. |
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| 504 | _aIncludes bibliographical references (pages [256]-265) and index. | ||
| 520 | _a'Mexican cinema is booming today, a decade after the international successes of Amores perros and Y tu mamtambi{u296E}. Mexican films now display a wider range than any comparable country, from art films to popular genre movies, and boast internationally renowned directors like Alfonso Cuar, Alejandro Gonzez I{u4BA2}arritu, and Guillermo del Toro. At the same time, television has broadened its output, moving beyond telenovelas to produce higher-value series and miniseries. Mexican TV now stakes a claim to providing the most dynamic and pervasive national narrative. This new book by Paul Julian Smith is the first to examine the flourishing of audiovisual fiction in Mexico since 2000, considering cinema and TV together. It covers much material previously unexplored and engages with emerging themes, including violence, youth culture, and film festivals. The book includes reviews of ten films released between 2001 and 2012 by directors who are both established (Maryse Sistach, Carlos Reygadas) and new (Jorge Michel Grau, Michael Rowe, Paula Markovitch). There is also an appendix that includes interviews carried out by the author in 2012 with five audiovisual professionals: a feature director, a festival director, an exhibitor, a producer and a TV screenwriter.'--Page [4] of cover. | ||
| 650 | 0 |
_aMotion pictures _zMexico _xHistory. |
|
| 650 | 0 |
_aTelevision programs _zMexico _xHistory. |
|
| 907 |
_a.b1591222x _b2019-11-12 _c2019-11-12 |
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| 942 |
_c01 _n0 _kPN1993.5.M4S645 |
||
| 914 | _avtls003560636 | ||
| 990 | _azsz | ||
| 991 | _aFakulti Sains Sosial dan Kemanusiaan | ||
| 998 |
_at _b2014-02-05 _cm _da _feng _genk _y0 _z.b1591222x |
||
| 999 |
_c570763 _d570763 |
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