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| 005 | 20250918231801.0 | ||
| 008 | 131018s2010 caua 001 0 eng | ||
| 020 |
_a9780226769585 _cRM282.69 |
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_a201407240850 _bwahida _c201406031435 _dhamzaid _c201405301009 _dwahida _c201405300948 _dwahida _y10-18-2013 _zsakdiah |
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| 090 | _aGV1703.I532S65 8 | ||
| 090 |
_aGV1703.I532 _bS65 8 |
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| 100 | 1 | _aSpiller, Henry. | |
| 245 | 1 | 0 |
_aErotic triangles : _bSundanese dance and masculinity in West Java / _cHenry Spiller. |
| 246 | 3 | 0 | _aSundanese dance and masculinity in West Java |
| 260 |
_aChicago : _bUniversity of Chicago Press, _c2010. |
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| 264 | 4 | _c©2010. | |
| 300 |
_axvii, 251 pages : _billustrations ; _c24 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 | _aChicago studies in ethnomusicology | |
| 504 | _aIncludes bibliographical references (page 223-238) and index. | ||
| 505 | 0 | _aDiscourses of Sundanese dance -- Drumming and power -- Ronggeng and desire -- Dance events and freedom -- The erotic triangle of Sundanese dance -- Triangulating Sundanese dance. | |
| 520 | _aIn West Java, Indonesia, all it takes is a woman's voice and a drum beat to make a man get up and dance. Every day, men there, be they students, pedicab drivers, civil servants, or businessmen breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In Erotic Triangles, Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon. | ||
| 650 | 0 |
_aDance _zIndonesia _zJawa Barat. |
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| 650 | 0 |
_aSundanese (Indonesian people) _vMusic. |
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| 650 | 0 | _aMasculinity in music. | |
| 830 | 0 | _aChicago studies in ethnomusicology. | |
| 907 |
_a.b15750632 _b2019-11-12 _c2019-11-12 |
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| 990 | _aswa | ||
| 991 | _aPATMA | ||
| 998 |
_aa _b2013-05-10 _cm _da _feng _gcau _y0 _z.b15750632 |
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