000			03473cam a2200373 a 4500
005			20250930134802.0
008			130806s2012 enk bi 001 0 eng
020			_a9780521194952 _cRM596.64
039		9	_a201310251105 _blan _c201310161613 _dhamudah _y08-06-2013 _zhamudah
040			_aDLC _cDLC _dDLC _dUKM
090			_aPR823.C339
090			_aPR823 _b.C339
245	0	4	_aThe Cambridge history of the English novel / _cedited by Robert L. Caserio and Clement Hawes.
260			_aCambridge : _bCambridge University Press, _c2012.
300			_axiii, 944 p. ; _c24 cm.
504			_aIncludes bibliographical references (p. 887-900) and index.
520			_a'The Cambridge History of the English Novel chronicles an ever-changing and developing body of fiction across three centuries. An interwoven narrative of the novel's progress unfolds in more than fifty chapters, charting continuities and innovations of structure, tracing lines of influence in terms of themes and techniques, and showing how greater and lesser authors shape the genre. Pushing beyond the usual period-centered boundaries, the History's emphasis on form reveals the range and depth the novel has achieved in English. This book will be indispensable for research libraries and scholars, but is accessibly written for students. Authoritative, bold and clear, the History raises multiple useful questions for future visions of the invention and re-invention of the novel'-- _cProvided by publisher.
520			_a'Some important English novels have been popular; some have not; but ours is not a history of bestsellers. To be sure, the novel is not an entirely autonomous literary form, developing in isolation from the influence of market forces or of politics, national or international. Far from it: no one could seriously make such an argument. And yet if the novel sees at all - if it offers unique insights - it does so above all through the ceaseless making, breaking, and remaking of literary forms. Every decision that a novelist makes is formally mediated, and thinking through those decisions provides access to the history of the novel as such. By attending to this history of formal innovations one begins to understand the range and depth of which the English novel has been capable. We hope, even though the Cambridge History concludes by affirming the enduring power of romance, that our way of turning the novel's progress into history is less quixotic than the quest of the Knight of the Woeful Countenance'-- _cProvided by publisher.
650		0	_aEnglish fiction _xHistory and criticism. _959635
700	1		_aCaserio, Robert L., _d1944-
700	1		_aHawes, Clement.
856	4	2	_3Cover image _uhttp://assets.cambridge.org/97805211/94952/cover/9780521194952.jpg.
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy1117/2011036933-b.html.
856	4	2	_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy1117/2011036933-d.html.
856	4	1	_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy1117/2011036933-t.html.
907			_a.b1569818x _b2019-11-12 _c2019-11-12
942			_c01 _n0 _kPR823.C339
914			_avtls003536783
990			_arab
991			_aFakulti Sains Sosial dan Kemanusiaan
998			_at _b2013-06-08 _cm _da _feng _genk _y0 _z.b1569818x
999			_c552427 _d552427