000 02334nam a22004094a 4500
005 20250918164756.0
008 120704s2011 enka b 001 0 eng
010 _a2010-031307
015 _aGBB0A7194
_2bnb
016 7 _a015643808
_2Uk
020 _a9780415555135 (hbk)
_cRM295.32
020 _a0415555132 (hbk)
020 _a0415555140 (pbk.)
020 _a9780415555142 (pbk.)
039 9 _a201207311533
_bbaiti
_c201207041000
_drahah
_y07-04-2012
_zrahah
040 _aUKM
043 _ae-it---
090 _aPN1993.5.I88S653
090 _aPN1993.5.I88
_bS653
100 1 _aSpinelli Coleman, Donatella,
_d1963-
245 1 0 _aFilming the nation :
_bJung, film, neo-realism and Italian national identity /
_cDonatella Spinelli Coleman.
260 _aHove, East Sussex ;
_aNew York :
_bRoutledge,
_c2011.
300 _ax, 229 p. :
_bill. ;
_c24 cm.
504 _aIncludes bibliographical references and index.
520 _a'Italian Neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorisations of film and national identity, Filming The Nation re-interprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming The Nation revisits the concept of national identity and its'construction' from a perspective which combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis'--
_cProvided by publisher.
650 0 _aMotion pictures
_zItaly.
650 0 _aMotion pictures
_xPsychological aspects.
650 0 _aCulture in motion pictures.
651 0 _aItaly
_xIn motion pictures.
907 _a.b15420164
_b2019-11-12
_c2019-11-12
942 _c01
_n0
_kPN1993.5.I88S653
914 _avtls003507063
990 _abaiti
991 _aFakulti Sains Sosial dan Kemanusiaan
998 _at
_b2012-04-07
_cm
_da
_feng
_genk
_y0
_z.b15420164
999 _c525437
_d525437