| 000 | 02008nam a2200313 a 4500 | ||
|---|---|---|---|
| 005 | 20250930133627.0 | ||
| 008 | 120628s2011 enka b 001 0 eng | ||
| 020 | _a9781847880376 (hbk.) | ||
| 020 |
_a9781847880536 (pbk.) _cRM104.50 |
||
| 039 | 9 |
_a201211091633 _bzabidah _y06-28-2012 _zrasyilla |
|
| 040 |
_aDLC _cDLC _dDLC _dUKM |
||
| 090 | _aPN1995.C63 | ||
| 090 |
_aPN1995 _b.C63 |
||
| 100 | 1 |
_aColman, Felicity, _d1967- |
|
| 245 | 1 | 0 |
_aDeleuze and cinema : _bthe film concepts / _cFelicity Colman. |
| 260 |
_aOxford : _bBerg, _c2011. |
||
| 300 |
_avi, 280 p. : _bill. ; _c19 cm. |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 520 |
_a'Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This cinphilosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of film theory, film history and film forms'-- _cProvided by publisher. |
||
| 600 | 1 | 0 |
_aDeleuze, Gilles, _d1925-1995 _xCriticism and interpretation. |
| 650 | 0 |
_aMotion pictures _xPhilosophy. _960434 |
|
| 907 |
_a.b15416781 _b2019-11-12 _c2019-11-12 |
||
| 942 |
_c01 _n0 _kPN1995.C63 |
||
| 914 | _avtls003506681 | ||
| 990 | _aza | ||
| 991 | _aFakulti Sains Sosial dan Kemanusiaan | ||
| 998 |
_at _b2012-02-06 _cm _da _feng _genk _y0 _z.b15416781 |
||
| 999 |
_c525103 _d525103 |
||