000			02119cam a2200373 a 4500
005			20250918013414.0
008			091104s2008 xxu b 001 0 eng
020			_a9780521895323 _cRM308.70
039		9	_a200911261233 _bzaina _c200911261157 _dzaina _c200911261151 _dzaina _c200911261126 _dzaina _y11-04-2009 _zrahah
040			_aUKM
090			_aPR2995.W45
090			_aPR2995 _b.W45
100	1		_aWeimann, Robert
245	1	0	_aShakespeare and the power of performance : _bstage and page in the Elizabethan theatre / _cRobert Weimann and Douglas Bruster
260			_aNew York : _bCambridge University Press, _c2008
300			_ax, 266 p. ; _c24 cm.
504			_aIncludes bibliographical references (p. 224-255) and index
505	0		_a'Moralize two meanings' in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and'worthiness' in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing :'secretly open' role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page
600	1	0	_aShakespeare, William, _d1564-1616 _xTechnique
600	1	0	_aShakespeare, William, _d1564-1616 _xDramatic production
600	1	0	_aShakespeare, William, _d1564 - 1616 _xCharacters
650		0	_aEnglish drama _y17th century _xHistory and criticism
700	1		_aBruster, Douglas
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0906/2008301147-b.html
856	4	2	_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0906/2008301147-d.html
856	4	1	_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy0906/2008301147-t.html
907			_a.b14619428 _b2021-05-28 _c2019-11-12
942			_c01 _n0 _kPR2995.W45
914			_avtls003422274
990			_azaina
991			_aPusat Pengajian Bahasa & Linguistik (SLB)
998			_at _b2009-04-11 _cm _da _feng _gxxu _y0 _z.b14619428
999			_c453722 _d453722