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Fifty Years of Work without Wages : Laborare est orare / Charles Rowley.

By: Series: Cambridge Library Collection - British and Irish History, 19th Century | Cambridge Library Collection - British and Irish History, 19th CenturyPublisher: Place of publication not identified : publisher not identified, 1912Publisher: Cambridge : Cambridge University PressDescription: 1 online resource (320 pages) : digital, PDF file(s)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781139892681 (ebook)
Additional physical formats: Print version: : No titleOnline resources: Summary: Born in Ancoats, a deprived industrial area of Manchester, Charles Rowley (1839-1933) witnessed what he saw as the degeneration of inner-city life in the second half of the nineteenth century. His family's picture-framing business, combined with his love of culture, brought him into contact with the ideas and personalities associated with the Pre-Raphaelite Brotherhood, notably William Morris. As a social reformer, Rowley was suspicious of organised charity and its tendency to patronise those it tried to support. Through a number of progressive initiatives, he laboured to bring art and culture to working people: the Ancoats Brotherhood, which organised lectures and reading groups, was among the many projects he fostered. First published in 1911, these well-illustrated memoirs present a thoughtful portrait of Rowley's experiences and enthusiasms, touching upon his interactions with such artists as Ford Madox Brown, Dante Gabriel Rossetti and William Holman Hunt.
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Title from publisher's bibliographic system (viewed on 07 Mar 2017).

Born in Ancoats, a deprived industrial area of Manchester, Charles Rowley (1839-1933) witnessed what he saw as the degeneration of inner-city life in the second half of the nineteenth century. His family's picture-framing business, combined with his love of culture, brought him into contact with the ideas and personalities associated with the Pre-Raphaelite Brotherhood, notably William Morris. As a social reformer, Rowley was suspicious of organised charity and its tendency to patronise those it tried to support. Through a number of progressive initiatives, he laboured to bring art and culture to working people: the Ancoats Brotherhood, which organised lectures and reading groups, was among the many projects he fostered. First published in 1911, these well-illustrated memoirs present a thoughtful portrait of Rowley's experiences and enthusiasms, touching upon his interactions with such artists as Ford Madox Brown, Dante Gabriel Rossetti and William Holman Hunt.

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