MARC details
| 000 -LEADER |
|---|
| fixed length control field |
11337cam a2200457 a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20250918123539.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
101130s2010 njua b 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0205673678 (hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780205673674 (hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0136062067 (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780136062066 (pbk.) |
| 039 #9 - LEVEL OF BIBLIOGRAPHIC CONTROL AND CODING DETAIL [OBSOLETE] |
|---|
| Level of rules in bibliographic description |
201012221626 |
| Level of effort used to assign nonsubject heading access points |
ariff |
| Level of effort used to assign subject headings |
201011301553 |
| Level of effort used to assign classification |
idah |
| y |
11-30-2010 |
| z |
idah |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
UKM |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
B02294. |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
AGI 42 |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
N6490.A713 2009 |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
N6490 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
.A713 2009 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Arnason, H. Harvard |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
History of modern art : |
| Remainder of title |
painting, sculpture, architecture, photography / |
| Statement of responsibility, etc. |
H.H. Arnason, Elizabeth C. Mansfield |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
6th ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Upper Saddle River, NJ : |
| Name of publisher, distributor, etc. |
Pearson Prentice Hall, |
| Date of publication, distribution, etc. |
2010 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xviii, 830 p. : |
| Other physical details |
ill. (some col.) ; |
| Dimensions |
30 cm. |
| 596 ## - LOCAL NOTE (NOTA SUMBANGAN BUKU) |
|---|
| a |
Koleksi Sumbangan : Abdul Ghafar Ibrahim (AGI) |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (p. 774-803) and index. |
| 505 2# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Foreword : a short history of History of modern art -- The art of looking -- Experience and interpretation -- A book that moves with the times -- Preface -- Acknowledgments -- What's new : chapter-by-chapter revisions -- 1. The origins of modern art -- Making art and artists : the role of the critic -- What does it mean to be an artist? : from academic emulation toward romantic originality -- Making sense of a turbulent world : the legacy of neoclassicism and Romanticism -- 2. The search for truth : early photography, realism, and impressionism -- New ways of seeing : photography and its influence -- Only the truth : realism -- Seizing the moment : impressionism and the avant-garde -- Nineteenth-century art in the United States -- 3. Post-impressionism -- The poetic science of color : Seurat and the neo-impressionists -- Form and nature : Paul C{u297A}anne -- The triumph of imagination : symbolism -- An art reborn : Rodin and sculpture at the fin-de-si{u1963}le -- Primitivism and the avant-garde : Gauguin and Van Gogh -- A new generation of prophets : the Nabis -- Montmartre : at home with the avant-garde -- 4. The origins of modern architecture and design -- Safeguarding culture : revivalist tendencies in nineteenth-century architecture --'A return to simplicity' : the arts and crafts movement and experimental architecture -- Experiments in synthesis : modernism beside the hearth -- Palaces of iron and glass : the influence of industry --'Form follows function' : the Chicago School and the origins of the skyscraper -- 5. Art Nouveau and the beginnings of Expressionism -- With beauty at the reins of industry : aestheticism and Art Nouveau -- Toward Expressionism : late nineteenth-century avant-garde painting beyond France -- |
| 505 2# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
6. The new century : experiments in color and form -- Fauvism --'Purity of means' in practice : Henri Matisse's early career --'Wild beasts' tamed : Derain, Vlaminck, and Dufy -- Religious art for a modern age : Georges Rouault -- The Belle {u2170}oque on film : the Lumie brothers and Lartigue -- Modernism on a grand scale : Matisse's art after Fauvism -- Forms of the essential : Constantin Brancusi -- 7. Expressionism in Germany -- From Romanticism to Expressionism : Corinth and Modersohn-Becker -- Spanning the divide between Romanticism and Expressionism : Die Brčµ£ke -- The spiritual dimension : Der Blaue Reiter -- Expressionist sculpture -- Self-examination : Expressionism in Austria -- 8. Cubism -- Immersed in tradition : Picasso's early career -- Beyond Fauvism : Braque's early career --'Two mountain climbers roped together' : Braque, Picasso, and the development of Cubism -- An adaptable idiom : developments in cubist painting in Paris -- Other agendas : Orphism and other experimental art in Paris, 1910-14 -- 9. Early-twentieth century architecture -- Modernism in harmony and nature : Frank Lloyd Wright -- Temples for the modern city : American classicism 1900-15 -- New simplicity versus Art Nouveau : Vienna before World War I -- Tradition and innovation : the German contribution to modern architecture -- Toward the International style : the Netherlands and Belgium -- 10. European responses to Cubism -- Fantasy through abstraction : Chagall and the metaphysical school --'Running on shrapnel' : futurism in Italy --'Our vortex is not afraid' : Wyndham Lewis and Vorticism -- A world ready for change : the avant-garde in Russia -- Utopian visions : Russian constructivism -- |
| 505 2# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
11. Picturing the wasteland : Western Europe during World War I -- The world turned upside down : the birth of Dada --'Her plumbing and her bridges' : Dada come to America --'Art is dead' : Dada in Germany -- Idealism and disgust : the'new objectivity' in Germany -- 12. Art in France after World War I -- Eloquent figuration : Les Maudits -- Dedication to color : Matisse's later career -- Celebrating the good life : Dufy's later career -- Eclectic mastery : Picasso's career after the war -- Sensuous analysis : Braque's later career -- Austerity and elegance : Ler, Le Corbusier, and Ozenfant -- 13. Clarity, certainty, and order : de Stijl and the pursuit of geometric abstraction -- The de Stijl idea -- Mondrian : seeking the spiritual through the rational -- Van Doesburg, de Stijl, and Elementarism -- De Stijl realized : sculpture and architecture -- 14. Bauhaus and the teaching of modernism -- Audacious lightness : the architecture of Gropius -- The building as entity : the Bauhaus -- The Vorkurs : basis of the Bauhaus curriculum -- Die Werkmeistern : craft masters at the Bauhaus -- From Bauhaus Dessau to Bauhaus U.S.A. -- 15. Surrealism and its discontents -- Breton and the background to Surrealism --'Art is a fruit' : Arp's later career -- Hybrid menageries : Ernst's Surrealist techniques --'Night, music, and stars' : Mirand organic-abstract Surrealism -- Methodical anarchy : AndrMasson -- Enigmatic landscapes : Tanguy and Dal-- Surrealism beyond France and Spain : Magritte, Delvaux, Bellmer, Matta, and Lam -- Women and Surrealism : Oppenheim, Cahun, Tanning, and Carrington -- Never quite'one of ours' : Picasso and Surrealism -- Pioneer of a new Iron Age : Julio Gonzez -- Surrealism's sculptural language : Giacometti's early career -- Surrealist sculpture in Britain : Moore -- Bizarre juxtapositions : photography and surrealism -- |
| 505 2# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
16. American art before World War II -- America undisguised : the eight and social criticism -- 291 Gallery and the Stieglitz circle -- Coming to America : the Armory Show -- Sharpening the focus on color and form : Synchromism and Precisionism -- The Harlem Renaissance -- Painting the American scene : regionalists and social realists -- Social protest and personal pain : Mexican artists -- The avant-garde advances : toward American abstract art -- Sculpture in America between the wars -- 17. Abstract Expressionism and the new American sculpture -- Mondrian in New York : the tempo of the metropolis -- Entering a new arena : modes of abstract Expressionism -- The picture as event : experiments in gestural painting -- Complex simplicities : color field painting -- Drawing in steel : constructed sculpture -- Textures of the surreal : biomorphic sculpture and assemblage -- Expressive vision : developments in American photography -- 18. Postwar European art -- Revaluations and violations : figurative art in France -- A different art : Abstraction in France --'Pure creation' : concrete art -- Postwar juxtapositions : figuration and abstraction in Italy and Spain --'Forget it and start again' : the CoBrA artists and Hundertwasser -- Figures in the landscape : British painting and sculpture -- Marvels of daily life : European photographers -- 19. Nouveau Rlisme and pop art --'Extroversion is the rule' : Europe's new realism --'This is tomorrow' : pop art in Britain -- Signs of the times : pop art in the United States -- Getting closer to life : happenings and environments --'Just look at the surface' : the imagery of everyday life -- Rosenquist, Wesselmann, and Indiana -- Poetics of the'new Gomorrah' : West Coast artists -- Personal documentaries : the snapshot aesthetic in American photography -- |
| 505 2# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
20. Playing by the rules : sixties abstraction -- Drawing the veil : post painterly abstraction -- At an oblique angle : Diebenkorn and Twombly -- Forming the unit : hard-edge painting -- Seeing things : op art -- New media mobilized : motion and light -- The limits of modernism : minimalism -- Complex unities : pohtography and minimalism -- 21. Modernism in architecture at mid-century --'The quiet unbroken wave' : the later work of Wright and Le Corbusier -- Purity and proportion : the international style in America -- Internationalism contextualized : developments in Europe, Latin America, Asia, and Australia -- Breaking the mold : experimental housing -- Arenas for innovation : major public projects -- 22. Conceptualism and activist art -- Art as language -- Conceptual art as cultural critique -- Extended arenas : performance art and video -- The medium is the message : early video art -- When art becomes artist : body art -- Radical alternatives : feminist art -- Erasing the boundaries between art and life : later feminist art -- Invisible to visible : art and racial politics -- 23. Post-minimalism -- Big outdoors : earthworks and land art -- Visible statements : monuments and public sculpture -- Metaphors for life : process art -- Body of evidence : figurative art -- Animated surfaces : pattern and decoration -- Figure and ambiguity : new image art -- |
| 505 2# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
24. Postmodernism -- Postmodernism in architecture --'Complexity and contradiction' : the reaction against Modernism sets in -- In praise of'messy vitality' : postmodernist eclecticism -- Ironic grandeur : postmodern architecture and history -- What is a building? : deconstruction -- Structure as metaphor : architectural abstractions -- Flexible spaces : architecture and urbanism -- Postmodern practices : breaking art history -- 25. Painting through history -- Primal passions : neo-Expressionism -- Regarding representation : painting and photography in the 1980s -- Searing statements : painting as social conscience -- In the empire of signs : Neo-Geo -- The sum of many parts : abstraction in the 1980s -- Wall of fame : graffiti and cartoon artists -- Painting art history -- 26. Contemporary art and the renegotiation of modernism -- Commodity art -- Postmodern arenas : installation art -- Strangely familiar : British and American sculpture -- Reprise and reinterpretation : art history as art -- Meeting points : exploring a postmodern abstraction -- 27. Contemporary art and globalization -- Lines that define us : locating and crossing borders -- Growing into identity -- Skin deep : identity and the body -- The art of biography -- Globalization and arts institutions -- Bibliography -- Glossary -- Index -- Credits |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Modern |
| Chronological subdivision |
20th century |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Mansfield, Elizabeth, |
| Dates associated with a name |
1965- |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
.b14850333 |
| b |
2024-10-17 |
| c |
2019-11-12 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
AM |
| Suppress in OPAC |
No |
| Call number prefix |
B02294. AGI 42 |
| 914 ## - VTLS Number |
|---|
| VTLS Number |
vtls003446463 |
| 949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| o |
101028656 (arkib) |
| 991 ## - LOCAL NOTE (NAMA FAKULTI/INSTITUT/PUSAT) |
|---|
| a |
Koleksi Sumbangan Peribadi Arkib |
| 990 ## - EQUIVALENCES OR CROSS-REFERENCES [LOCAL, CANADA] |
|---|
| Link information for 9XX fields |
msah |
| 991 ## - LOCAL NOTE (NAMA FAKULTI/INSTITUT/PUSAT) |
|---|
| a |
Fakulti Sains Sosial & Kemanusiaan |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| Library |
PERPUSTAKAAN TUN SERI LANANG |
| Operator's initials, OID (RLIN) |
2010-04-11 |
| Cataloger's initials, CIN (RLIN) |
m |
| Material Type (Sierra) |
Printed Books |
| Language |
English |
| Country |
|
| -- |
0 |
| -- |
.b14850333 |
